CLAMP no Kyoto Agaru Sagaru #12 – 2015/12/17

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 12 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

This episode’s main topic was Card Captor Sakura!

They talked a lot about goods and other Card Captor Sakura-related topics (most of it I couldn’t really understand). The most relevant thing mentioned was probably the prospect of a new Card Captor Sakura artbook in the plans for the future (Ohkawa talks about it around 13:50 min). I think she mentions something about not having enough illustrations to release one yet but I am not 100% sure about it. I’m gonna have to check that one with the almighty Claudio ˆˆ” If it’s really true, that would be so much fun since all these new illustrations that they have done for the past decade would have a nice treatment. Fingers crossed!

Next week’s guest will be Junko Iwao (Tomoyo’s seiyuu).

 

CLAMP no Kyoto Agaru Sagaru #11 – 2015/12/10 (Updated)

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 11 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

Here’s a brief summary:

  • They spent the first 5 minutes talking about X because of an e-mail sent by a listener asking them about Kamui’s settei blood type.
  • Then, they read another e-mail which asked CLAMP to talk about their latest collaboration with Suga Shikao and XXXHOLiC. Basically they talked about the experience of drawing a comic based on a song. Mokona said she had a lot of fun drawing the storyboard and I think she said something about being similar to CLOVER.
  • Ohkawa mentions that the main drawing and inking in XXXHOLiC are done in analog format while finishing is done digitally using Photoshop (I would like to hear more about this…).
  • Then, they go into a long talk about glasses (reading glasses, round glasses, sunglasses, Suga Shikao’s sunglasses).
  • The show has a new Ending Theme song performed by Iwao Junko called “going, which will be included in her upcoming new album “Return to Myself.
  • At the end of the episode they mentioned having drawn a shikishi to Misaki Tomoko, the lady from KBS who narrates the show, featuring Hikaru and Mokona from Magic Knight Rayearth. She tweeted about it:

Update: Here’s a brief summary by the always so helpful Claudio, from Argentina:

-They first speak about how Kyoto is warm even though they are entering winter nowadays.

-Nekoi reads listener’s message: The listener has a fetish with characters blood type, and he/she says that is always having fun trying to guess the blood types of the characters when reading and trying to verify the actual blood types later to see if he/she was correct. So he/she asks about X’s Kamui character. He/she thinks Kamui is pretty much a typical B type, but is that really so? He/she also ask CLAMP to tell the blood types of other X’s characters.

-Ohkawa immediatly surprises that Kamui could be think of as a B-type person. Mokona says that she relates B-blood type to Oka Hiromi (famous old manga “Ace wo Nerae!”main character). Being this character the kind of person that has a clear goal to achieve and all her efforts are aimed to achieve that goal, so she doesn’t really think of Kamui as a character with such profile.

-Nekoi says that is not because of the blood type, and that is because she is a girl (a girl fighting her best I assume she means).

-They also mention Kitajima Maaya, a character of the famous manga “Garasu no Kamen” being a B type kind of character.

-So Ohkawa clears that Kamui is not B-type. So the rest of them starts to guess and finally Satsuki says it was A-type, and Ohkawa confirms this.

-Ohkawa says that it may appear like a O-type character though. And Satsuki says that the image she has about A-type -including herself- is sort of an irresponsible type of person. She says that she hasn’t seen any A-type steady/firm/sure of himself.

-Ohkawa says that she thinks of O-types as kind of annoying, and lovers of cleaning and order. But of course this may be just based on their own prejudice, since 3 of them are A-type and just 1 is O-type. With this kind of combination The O-type one is surely having a hard time.

-Ohkawa continues telling that even though they could say somebody is strict/methodical, but that doesn’t really means it is that way. Commonly you could think of a A-type with a bold/strong appearance/outer face, but when it comes to reality to comrades/people of the same group, it can be annoying (they say “guda guda”, this means mainly annoying people reppeating over and over the same thing)

-Satsuki says she shouldn’t be saying that and Ohkawa replies that she thinks this way pretty much about the group as well. So they start talking about the the usual exchange they have every day, somebody is being asked to wait when visiting the home of the other, or when someone asks Mokona if it’s ok to take the day off, she replies telling to take off the day after tomorrow better, and that sort of things. Ohkawa says once Satsuki said to her not to come (to her house I suppose). So Satsuki said they can meet in other places it doesn’t have to be necessarily on people’s home. And Ohkawa clears up that in those days there were so much books inside Satsuki’s home that you couldn’t physically enter. Pilled up on like towers. So this is the kind of things O-types do. You can go to Nekoi’s house anytime and she won’t be mad about it (says Okhawa). Nekoi may tell you is not really ordered but it isn’t that much of a mess – and Nekoi comments that the little garbage is on purpose, so the cat can play with it.

-So Okhawa says, if you think of Kamui’s home, it may be in part well ordered and clean, and in parts wildly untied. And Fuuma’s place would be clean. And since A-types like to decorate with the stuff the like/hobbies stuff they show it, but O-types tend to hide it.

-Ohkawa mentions Sorata was B-type but she really doesn’t remember  having published this data of each character, so Satsuki reminds her that it was published on the Materials Book of the anime series.

-Around minute 6 they started talking about Suga Shikao’s new song and the special one shot.

-On this one shot there are not much dialogue globes. Which is pretty different to how XXXHOLiC is normally. So at drawing stage it gave them the feeling of drawing shojo manga because this is a typical narration technique on Shojo manga (not having that much dialogue globes).

-Ohkawa says that at the storyboard stage it looked a little bit like CLOVER since the premise was that the art will be used as some sort of illustration. So when they passed it to the editors, they passed a plain line only version, a version without the places (textually “frames”) to put the lyrics, and a final version with the lyrics and all. So it was a lot of work for Nekoi to save all the data (image files in this case you may think) by separate.

– Ohkawa continues saying in the case of XXXHOLiC, is basically analog drawing until pen-inking stage only. And the finishing is digital.

-They actually name the software as Photoshop (they say the company name at min 9:49 but I could really connect it to a known software name, they say something-something-MAX Photoshop). They do say clear not to be using Studio Comic though and also mention Clip Studio.

-Ohkawa explains that in the old days was all manual processes, but that now, even though they draw the lines manually they input on the computer once and used within the software. So this makes the tasks easier and quick. In the old days they had a lot of trouble with having no time to do the final lining.

-But on the other hand, now they sent the chapters digitally (by e-mail or uploading to storage cloud) so they can not excuse themselves saying the bike guy was slow.

-So this time they sent 3 versions. They have watched the YouTube preview but they still didn’t know at that time how it was going to end up so they were eager to know.

-Mokona says that from now on they should draw XXXHOLiC always listening to that song, and Ohkawa added that felt like a persevering kind of feeling. Mokona said she liked it.

-Ohkawa also mentions that it has been a long time since they didn’t draw actual-Yukko (meaning not Memmories-Yuuko). At firsts starts with Yuuko going to the shop and then the story focuses on Watanuki. So the first part is not like a dream or a memory, it appears the Student-Watanuki and all.

-It appears that every time Watanuki appears on scene Nekoi asks which glasses should draw (hahaha). The glasses broke once, and also when he takes in charge of the shop the glasses become more circle-shaped (rounded). Those are the ones Clow left on a box.

CLAMP no Kyoto Agaru Sagaru #10 – 2015/12/03 (Updated)

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 10 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

This episode’s main topics were art materials and games. Here’s a brief summary:

  • They started the show reading an e-mail from a listener asking them about the different art materials they use for their series — mainly Chobits and CLOVER. They went on talking about it for 7 minutes (it sounds really interesting I wish I could understand T-T).
  • After that, they went into a long talk about games. Each member mentioned their favorite/current games. A few titles were mentioned such as Megami Tensei (Satsuki) and Front Mission (Ohkawa).
  • They mentioned Card Captor Sakura‘s games produced by ARIKA and the costume design work they did for Tekken back in 2009.
  • At one point, I think Ohkawa asked the others which of their works they would like to see adapted into a game. Mokona said ANGELIC LAYER (that would be fun, indeed!) and Satsuki said an all-star CLAMP characters dance game (amusing to say the least!).

Update: Summary of the first part kindly provided by my friend Claudio from Argentina:

-Started with a question of a listener called Asaka, who asked about Chobits, that at that time she has read on an interview that CLAMP used to use ballpens on Chobits art. So she asked if as in CLOVER or XXXHOLiC, Ohkawa decided wich materials to be used, or if it was left to the judgement of the member in charge of main art?

-Ohkawa inmediatly responded that commonly she is the one who decides (She’s in everything OMG xD) and indeed in Chobits comic pages they used to use ballpens.

-Mokona added that first they tried/experimented a little bit before deciding to go with ballpens. they neeeded to verify how it ended up looking at final printing.

-They wanted to give the impression of some sort of rusty image like pencil art. They actually did tried pencils but it wouldn’t go well.

-In CLOVER they used something called mini-pen, they refer to it as “Pigma”

-In MKR they used commonly mini-pen at first, but Nekoi mentioned using a water-based fountain pen manufactured by a company named Tube, at first they thought it was very troublesome to work with water based materials but they kept with it because of the good results, and Ohkawa added that is because the line got wider. They did mention seconds before that they used this one when wide lines were needed.

-Ohkawa continues asking if there were another ocassion where they have used interesting materials, and everyone replied that it wasn’t that much really.

-In CCS the main linning was done with a material that gives the line a brown-color appearence. Nekoi and Mokona added that was Maru-pen (maru=circle). And for color stuff they used to have the common acrylics, but if you quit using it for a long time it hardens so it was a lot of trouble even though it was a material easy to solve when using.

-They come back to Chobits and say that for the special Blu-Ray cover, they had to pull out that old material and it was so much trouble since 3 years had passed since the last time they used it and the materials were hard, or they didn’t have the colors that they used to use a lot (xD). Nekoi mentions that she coukldn’t use one particular material because it got lost on the moving to Kyoto. Next, Ohkawa asks how about the old illustrations, do they got mold? And everyone replied it were mainly ok but it does get hard. The materials -Nekoi comments- on the other hand, do decay. Nekoi mentions Ice pink color becoming just transparent water and that she couldn’t get any use out of it. Mokona added that ink itself become like yellow-ish, and everyone agreed that color inks doesn’t last much in general.

-Ohkawa says that at commonly they use color ink or copic markers. But it is a lot of trouble until the first concept art is settled. They try several materials, like several pages with Takara ink (takara is a brand), pens or mini-pens, and of course when is decided they stick to that.

-So the actual reply to the listener’s question is: the materials are decided by Nanase (she names herself Nanase WTF hahaha), but before that, the artist responsible suggests the materials to be used and they discuss about it all together. But at last the one that decides is herself.

-Mokona says that when trying the materials they even verify until the last actual printing of the art. Ohkawa adds they are pretty exigent about these stuff, always thinking in how is going to look at magazine printing step (magazine printing quality as you know used to be very poor). They show each other art drawn used several material and decide all together.

-Satsuki adds that depending on the magazine/publishing company the paper and the ink used in the publication variates so they have to think about that too. Nekoi insists in that specially in color illustrations variates a lot. Depending on the publishing company the final look of the illustration changes. Satsuki says that color becomes more red-ish or orange-ish

-So Ohkawa says to the listeners to take a look at the tankoubons and do maniac comparissons of publishing companies differences (Oh God she is such a troublesome girl! hahaha).

-Satsuki also recommends to compare the magazine version with the artbook versions. And Ohkawa interferes saying that probably the one that shows more differences is CCS, since at that time Nakayoshi magazine used to be printed in 4-color (there’s is a huge technical terms here, all I could catch was CMYK) and that black ended up looking like brown. She also says that at that time most of Shojo manga mangakas didn’t use to ink with black ink and that’s why the magazine used to be printed in that special 4-color way. But of course when publishing artbooks or such they use more than 4 color so the illustration gets printed more closely to the original art.

CLAMP no Kyoto Agaru Sagaru #9 – 2015/11/26

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 9 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

Here’s a brief summary:

  • They spent the first 10 minutes of the episode talking about manga, anime and game stage adaptations. Each member talked about their favorite adaptations (Sengoku BASARA, BLOOD-C and the Tennis no Oujisama musical were mentioned). They also talked which CLAMP works could be/they would like to be adapted to stage, for which they mentioned XXXHOLiC, GATE 7 and Card Captor Sakura.
  • During the main part of the episode, they shared their recent experiences doing “location hunt” — when they travel somewhere in order to gather data for later use in their own works — in Tanegashima. I think they talked about other places too.
  • They talked briefly about the Card Captor Sakura first movie, which is set in Hong Kong, for I don’t know what reason…
  • In the end they mentioned that in January they will travel again for another “location hunt”. Some members joked that “location hunt” = vacations but Ohkawa corrected them all saying that the trip is really for work xD

Are they doing all these location hunts for Tsubasa… for GATE 7…?

CLAMP no Kyoto Agaru Sagaru #8 – 2015/11/19

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 8 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

This episode’s topic was BLOOD-C.

Here’s a brief summary:

  • They started the show talking about how nowadays having a fax is really rare (I think we all agree with that) but Ohkawa adds that it can be/was useful for sending over storyboards (I guess for their editors).
  • Then, they moved into the BLOOD-C talk, but before that, they talked about going back and forth to Tokyo (?), but I missed how that is connected with BLOOD-C. They mentioned having seen the Sengoku BASARA stage play in Tokyo (the anime version is animated by PRODUCTION IG, which is the same studio that animates BLOOD-C).
  • After that, they talked about BLOOD-C THE LAST MIND, the stage play adaptation of BLOOD-C. Mostly about its cast and how they liked their performances. They also talked briefly about Mika Kikuchi (Mokona’s seiyuu) but I couldn’t understand why they brought her up in the conversation…
  • Later, they moved back into the BLOOD-C talk, mostly centered on the TV Anime and movie adaptations, Tsutomu Mizushima’s storyboard, etc
  • At the end of the show, they asked the lady from KBS Kyoto, Misaki Tomoko, to narrate the final instructions on how to send a message to CLAMP and join in the conversation with the official hashtag. That was really nice, she’s such a pro! xD

Since I don’t really like BLOOD-C, this episode was really boring to me… here’s hoping next week they’ll pick a real CLAMP work to talk about.

CLAMP no Kyoto Agaru Sagaru #7 – 2015/11/12 (Updated)

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 7 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

This episode’s topic was RG Veda!

Here’s a brief summary:

  • They started the show reading an e-mail about something to do with the show’s opening theme (Kyoto Transit) and Chobits… but I have no idea of what relation they have xD Mokona then talked about the fact that she’s drawing the illustration for the Chobits Blu-ray box that will be released next month.
  • A listener sent an e-mail asking them to talk about RG Veda (I can’t wait for when someone asks about X).
  • Then they go into a very technical talk about drawing RG Veda in their debut days. They mention some of the materials used, Mokona talks about all she ever thought at that time was “must draw with all my heart” (or something like that), Nekoi talks about applying screentones (RG Veda has a lot of those).
  • Ohkawa asks Mokona to talk about how it is to draw Kujaku again (he is appearing in Tsubasa now) after so many years.

Overall, this seemed like a really interesting episode (just the 4 of them talking about their works are the best episodes). Sadly I can’t provide more precise info about it but as usual, if anyone would like to contribute with any input, that would be very much appreciated =)

Update: Below is a brief summary made by my friend Claudio.

They talked A LOT about mangaka’s circumstances instead of the RG Veda itself xD. They talked mainly about drawing, inking, etc techniques.

They started with a comment of a listener that happened to be a fan from the old doujinshi days and so they got into the subject of the RG VEDA drawing days. Theyr small department, the way they distributed all the tasks, when they starting drawing RG Veda drawing illustrations, and which kind of ink were they using those days.

They talked a lot about markers and inking, and that in those days they used to work without sleeping to respect the deadlines. Nekoi commented on the troubles of working with small shade screentones in bigger originals (they didn’t know about the existence of the big ones those days, and also it were really expensive).

Also commented about the technique of trimming (chopping) the screentones and how hard it was. Ohkawa said she hated that sound. Satsuki complained about having to get up at 5 to deliver the original to the editorials (it seems at those days editors didn’t come to pick it up)

Mokona commented of drawing using big markers or fude pen (it is like a pen with a brush as the tip of it) and just applying it randomly, and that she received compliments about this way of inking instead of complains. Apparently the editor said to her that the sharp and abrupt look was a nice touch (xD) So Ohkawa commented that in RG Veda they didn’t have to draw that much straight buildings so it was in comparison was kind of easy, not like it was for example in X having to draw the Tokyo Metropolitan Government office. They also mentioned having Okazaki Takeshi (a well-known illustrator) drawing it for them once (and they laughed xD)

They also mentioned about they going to draw the box illustration for the Blu-Ray edition of Chobits at the beginning.

What I found funny is that they had to split in two the final chapter of RG Veda in two (and that also added pages on the tankoubons hahaha), and that they have certain tendency to have story finals with too much pages (TRC was one of the examples given).

Weirdly they didn’t talk about alcohol this time xD

Mokona also commented that when drawing Kujaku on RG Veda, she didn’t know about the character (since Ohkawa didn’t speak a thing to them) so it was difficult to draw it at that time, but now in TWC she is enjoying it.

There were a lot a small talk about a lot of details: drawing eyelash bigger to make characters prettier (Mokona), and that they are intentionally restraining it on Tsubasa.

Mokona said that Ashura-papa was the prettiest male character on RG Veda xD Also they talked about if it were now, they would have wanted to draw more Ryu-oh, and to draw the some of the sub-stories or scenes more detailed (in more pages)

They wanted to draw Souma on a bathtub but didn’t have the time, neither could include it on the story, so it they draw it on a color illustration xD

Nekoi said that she wanted to see more detailed one of the battles of Kendappa (they mentioned the name of the character but I don’t remember who it was hahah, they said the daughter of “”””” hahah I’m sorry, I am such a bad fan hahah)

CLAMP no Kyoto Agaru Sagaru #6 – 2015/11/05

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 6 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

This episode’s guests were the same as last week’s: Ryu Kawamura (bassist) and Zanio. I think they recorded everything in the same day and split the contents in two parts probably due to its length. It seems the duo was in Kyoto for a concert.

Once again, this episode continues with CLAMP interviewing the two guests, this time focusing on the backstory of Iwao Junko’s latest album, which was produced by the duo and which CLAMP drew the jacket illustration (Mokona mentioned that she had drawn Tomoyo countless times but this was the first time she drew Iwao Junko).

This episode was also extremely short (only 13 minutes). I wonder if they played more than one song…

I hope this week’s episode it’ll be the four of them again.

CLAMP no Kyoto Agaru Sagaru #5 – 2015/10/29

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 5 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

This episode’s guests were Ryu Kawamura (bassist) and Zanio. The duo, along with Junko Iwao, are in charge of the show’s opening tune, Kyoto Transit, which is up for download at the show’s official website.

This episode was basically CLAMP interviewing the two guests, so there was barely no CLAMP talk and therefore, I won’t attempt to make a summary for it.

CLAMP no Kyoto Agaru Sagaru #4 – 2015/10/22 (Updated)

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 4 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

This episode’s topic was Tokyo Babylon!

  • It looks like the KBS Kyoto staff people brought some alcohol to them ^^” They tweeted about it last week.
  • A listener sent an email asking them to recommend places in Kyoto (?) and also asked them to explain the show’s title.
  • On another e-mail, one listener proposes a different description for CLAMP other than “creative group”. Sadly I couldn’t understand their suggestion… (Ichiza? 一座)
  • It seems like they are making a sort of corner to read suggestions from listeners on how they should be described (other than “creative group”). One listener suggested something related to Seishirou which made all four of them to laugh (earlier today they tweeted something about this).
  • Moving the talk to Tokyo Babylon now, they talked about making the designs for the books and CDs — the latter seem to have given Ohkawa a bit of a trouble since she was in charge of it.
  • They talked about Hideaki Matsuoka’s Deja Vu — which was the song they played in this episode.
  • Then, they moved into all sort of nostalgic media formats such as Cassettes, LDs, Single CDs, all of which Tokyo Babylon had a release.
  • Each of them picked a memorable story from the Tokyo Babylon series. Mokona selected the “grandpa” story, Satsuki chose the Drama CD Book one (with Tokyo Tower), I couldn’t understand Ohkawa’s…
  • Then they ostalgic CLAMP events from the early 90s.
  • Lastly, they talked about the more recent Tokyo Babylon re-releases such as the pocket edition and the CLAMP CLASSIC COLLECTION edition. Then, it seems like Mokona talked about how Subaru’s story continues in X and then I think I sensed some awkwardness in the air since the manga is in hiatus… I would love to know what they actually said here. Pretty sure Ohkawa said “Please wait for it”. Update: Actually, here’s a brief summay of what they really said (by my dear friend Claudio Bochatay):

    • When they were talking and advicing people to buy the TB Classic Collection version, or the pocket versions, they mentioned that when reading the story you can see it was written many years ago since public phones are drawn on the street landscapes.
      At that time there were many public phones on the streets because they didn’t have cellphones, Satsuki even comments that Subaru used beeper. And Mokona remembers that they even have drawn public phones in X scenarios as well (hearing this Ohkawa says “you’re right, they were looking for a public phone once!”.)
      So Mokona instantly comments that “what would have happened if they had smartphones at that time?”, and Ohkawa replyied saying that “if they had smarphones at those days, most of the story-plots could have been solved too easily so it wouldn’t have been any good actually”
  • Next episode there will be the first guest. It seems like the guest will be singing the show’s jingle (the C L A M P, kuranpu~). My guess: Yui Makino.

These nostalgic talks are always so nice! I’m proud of myself of how much of a summary I was able to make for this episode ^^”

CLAMP no Kyoto Agaru Sagaru #3 – 2015/10/15

© CLAMP・ShigatsuTsuitachi CO.,LTD.

© CLAMP・ShigatsuTsuitachi CO.,LTD.

Episode 3 is up for download at CLAMP no Kyoto Agaru Sagaru‘s official website.

To coincide with the release of volume 2, this episode’s topic was Tsubasa!

  • They started the show reading a listener’s emails saying that they were mistaken in las week’s episode regarding how many years have passed since Rayearth(‘s anime?). That was rather funny xD
  • Some listener asked them to elaborate about ShigatsuTsuitachi CO.,LTD., the company that sponsors the radio show. CLAMP explain that Sakura Kinomoto is the president of the fictional company (however I do think there is a real ShigatsuTsuitachi CO.,LTD. that is run by CLAMP).
  • They talked about their trip to Okinawa which served as inspiration for Nirai Kanai hen (they want to go to Okinawa again).
  • They talked about the GATE 7 characters appearing in Tsubasa.
  • Then they talked about the Holitsuba short comic that is going to be published in Weekly Shonen Magazine on Oct. 21st.
  • Finally, they mentioned that much like the special edition of XXXHOLiC Rei #3 came with a PLAYBUTTON, the special edition of Tsubasa – WoRLD CHRoNiCLE – Nirai Kanai hen #3 will come with a PLAYBUTTON audio drama as well.

As usual, if anyone would like to share their thoughts about what they talked about, that would be highly appreciated, even a brief summary would help!

…I still think this show is way too short ^^”