CLAMP x Netflix collaboration: what we know so far

As it’s likely known in general by now, CLAMP have partnered with Netflix to collaborate on developing all-new original anime content for the streaming service. I wasn’t able to write properly about this any sooner and after the official announcement a press conference was held so I decided to gather all the information that’s been revealed so far.

This is part of a bigger project in which Netflix will join forces with 6 leading names from Japan’s manga and anime industry who have created works that caused worldwide impact, including CLAMP. The other 5 names that are part of this project are Shin Kibayashi (The Kindaichi Case Files), Yasuo Ohtagaki (Mobile Suit Gundam: Thunderbolt), Otsuichi (Goth), Tow Ubukata (Mardock Scramble) and Mari Yamazaki (Thermae Romae).

In an official statement, CLAMP member and leader Nanase Ohkawa said the following about the project:

“We are very pleased to be welcomed into this brand new initiative, we look forward to the day our shows created with Netflix reach fans across 190 countries.”

What else has been revealed at the press conference:

  • Ohkawa commented that the current anime industry is moved around DVD, Blu-ray and goods sales and that can be a problem for series that have good quality but not good sales, this system makes it harder to deliver good animations to the world. This system also imposes big challenges and difficulties for young creators. She hopes that this opportunity with Netflix will shift things around and offer different conditions for anime creators and viewers.
  • She believes this moment to be a turning point in anime industry, adding that for TV Animes there usually are production committees composed by many people and while this may work, it’s also harder to get general approval due to a larger group of people involved. Sometimes an idea by the director is not taken further due to lack of approval from the production committees. With Netflix, there will be less people to get approval from, allowing a bigger creative freedom.
  • CLAMP members were previously subscribers of Netflix so the proposal was welcomed with great enthusiasm by them. Ohkawa mentions that while TV has a great outreach, a global simultaneous distribution is something that can only be done with a distribution like Netflix, therefore CLAMP said they would like to participate by all means.
  • CLAMP were asked to work on character designs for 20 characters. Ohkawa said she was surprised considering that most animes nowadays usually have only around 10 characters. They are looking forward to the image that the production will make of them.
  • This article seems to indicate that Shin Kibayashi (The Kindaichi Case Files, Psychometrer Eiji) will be in charge of writing the scripts for the anime series that CLAMP are working on the character designs, implying that the 6 names will collaborate with each other, instead of each having their own individual series. He mentions that they are already looking for animation studio and director candidates to be in charge of the series he will allegedly be working with CLAMP. He emphasises that Netflix is coordinating everything and making sure everybody is happy with each decision.
  • Ohkawa mentioned the fact that there is a possibility of turning these anime series into live action series, for which she will be looking forward as a viewer.

My thoughts and comments:

This piece of news comes of course with great enthusiasm. I had hoped for a CLAMP x Netflix collaboration since the streaming platform became big worldwide (I’m also particularly happy that it’s from a platform that I actually have a subscription and not one of which I don’t, of course!).

It is great that CLAMP is included on this project and a true recognition of their international appeal and impact. However, when I first heard the announcement, given that there was little information about it, I immediately assumed that CLAMP would be in charge of both character design and story, meaning that Nanase Ohkawa would provide the scripts, too. I was a little disappointed to learn that at least for the time being, CLAMP’s contribution is limited to character design.

Sure, that alone is great news but I was hoping for a 100% CLAMP original anime. In fact, it’s still early to know but considering that the anime series is still being developed, maybe CLAMP will get more involvement along the way (fingers crossed).

This partnership could bring other fruits too, such as bringing more CLAMP anime series to Netflix catalog worldwide and other original anime series with CLAMP’s involvement. It will also bring CLAMP even more visibility and more opportunities for other projects and works. I’ll be looking forward to that.

One of the articles seems to indicate that CLAMP’s series will be written by Shin Kibayashi. He has several pen names so you might know him from a different pen name. He has won a Kodansha award recently and his portfolio includes works centred around mystery and suspense/thrillers, which may indicate that CLAMP’s series will be of a similar genre. Shin Kibayashi (as Yuma Ando) is the writer behind the manga series Psychometrer Eiji, which I read years ago and I remember having liked it a lot! In that sense, even if Ohkawa won’t be providing scripts, at least not initially, he seems like an interesting choice.

I was really happy with Ohkawa’s statement regarding the current business model for anime series. This is something that I have been discussing privately with certain friends and I am happy that Ohkawa on behalf of CLAMP is also worried about it and supporting alternative business models such as this one.

I will update as more information is revealed (hopefully in a faster fashion this time around) but for the time being let’s all celebrate and hope for the best of what this will bring to all of us =)

Source: AV Watch, Oricon.

“Saikoku33 x CLAMP Nōkyō-chō” design revealed

Almost a year ago, back in July 2017, it was revealed that CLAMP would collaborate with Saikoku Sanjusansho pilgrimage circuit to create a Goshuinchō book designed by CLAMP.

After several delays and postponements, the book finally has a release date and designs revealed.

There will be two versions:

Design A:

Design B:

With these, one can do the pilgrimage and collect the stamps from each shrine.

Each version will be sold for 2,300 yens starting on June 30 and will be available for purchase in all of the Saikoku Sanjusansho pilgrimage circuit shrines. The shrines are located in Nara, Kyoto, Shiga and Gifu. For a complete list of shrines, please check here. There is no way to buy them online, only at the participating shrines.

Copies shall be extremely limited. Each shrine will sold only 70 copies for each design; two shrines will sold 100 copies for each design. There won’t be a re-stock after the copies sold out.

Source: CLAMP-NET.COM, Saikoku33-1300 Years.

I am glad this is really happening, I was afraid it had been dropped since it’s been nearly one year since the announcement. It looks as gorgeous as I had expected. I prefer Design A, but Design B is cute as well with all the Chinese Zodiac animals.

I am surprised with the limited production, but I guess it makes sense? If my calculations are correct, there will be only 1940 copies for sale, which means that it’ll become a rare item afterwards, which means I want.

“Last Lost Juvenile” cover

The cover of Aki Nakamura’s mystery novel ラスト・ロスト・ジュブナイル ~Last Lost Juvenile~ 交錯のパラレルワールド has been announced:

© CLAMP・Shigatsu Tsuitachi CO.,LTD. / 星海社

© CLAMP・Shigatsu Tsuitachi CO.,LTD. / 星海社

The cover features the same duo from Logic Lock Festival and Trick Trip Vacation. lists this book as having hard cover, as opposed to Trick Trip Vacation that was listed as soft cover.

The book will be released on December 15.

Card Captor Sakura Copic Set ~ CLAMP Selection

In celebration of its 30th Anniversary, Copic marker is collaborating with CLAMP in releasing a special Card Captor Sakura set.

The set includes 24 Copic markers selected by CLAMP based on the colors they frequently use to draw Card Captor Sakura.

The set also includes:

  • outlines for coloring (1 sheet);
  • a postcard;
  • coloring instructions from CLAMP (1 sheet).

The set will be on sale on December 28 costing 9,800 yens.


CLAMP use Copic markers to color the illustrations of various works in their catalog and it’s widely popular among manga artists since its creation 30 years ago.

This is an interesting collaboration and long-time overdue, I’d say! And what a gorgeous illustration they have done for the occasion.

“Trick Trip Vacation” cover

With only a week away before its release date, the cover of Aki Nakamura’s mystery novel トリック・トリップ・バケーション ~Trick Trip Vacation~虹の館の殺人パーティー has been announced:

© CLAMP・Shigatsu Tsuitachi CO.,LTD. / 星海社

© CLAMP・Shigatsu Tsuitachi CO.,LTD. / 星海社

The cover features the same duo from Logic Lock Festival and the same art style too. I think it’s safe to assume that these books are all from the same series and this young couple of detectives will most likely be the main characters of the book that will be coming out in December, too.

CLAMP to draw illustrations for two upcoming mystery novels by Aki Nakamura

Cover of "Logic Lock Festival" (2013). Aki Nakamura's debut novel illustrated by CLAMP. © CLAMP・Shigatsu Tsuitachi CO.,LTD. / 星海社

Cover of “Logic Lock Festival” (2013). Aki Nakamura’s debut novel illustrated by CLAMP. © CLAMP・Shigatsu Tsuitachi CO.,LTD. / 星海社

Newcomer writer Aki Nakamura is releasing two new mystery novels in November and December, both with illustrations drawn by CLAMP.

The first novel is entitled トリック・トリップ・バケーション ~Trick Trip Vacation~虹の館の殺人パーティー (Trick Trip Vacation ~ Murder Party of the Rainbow Mansion), or simply Trick Trip Vacation, and it will be released on November 17.

You can pre-order it on Amazon Japan.

The second novel is entitled ラスト・ロスト・ジュブナイル ~Last Lost Juvenile~ 交錯のパラレルワールド (Last Lost Juvenile ~ Crossing Parallel World), or simply Last Lost Juvenile, and it will be released on December 15.

You can pre-order it on Amazon Japan.

Both novels will be published by Seikaisha, under its Seikaisha FICTIONS label.

This is not the first time that CLAMP and author Aki Nakamura collaborated. Back in 2013, CLAMP drew the illustrations for Nakamura’s debut novel, Logic Lock Festival (cover on the right).

Thank you very much to Sakura84-chan for letting me know about this!

I’m excited about this! New CLAMP art is always welcome. I wonder if they will keep the same style used for Logic Lock Festival.

Haken Anime! gets paperback edition in September

© CLAMP・Shigatsu Tsuitachi CO.,LTD.

© CLAMP・Shigatsu Tsuitachi CO.,LTD.

The novel Haken Anime! was written by Mizuki Tsujimura with illustrations by CLAMP. It was serialized in an・an magazine from 2012 to 2014, each chapter featuring an illustration drawn by CLAMP.

The novel was compiled in a book that was released in 2014. Apart from the cover and one inside illustration, none of the other illustrations drawn by CLAMP were included in the book release.

It’s been announced that a paperback version is going to be released on September 6. The cover for this edition can be seen on the right.

If the majority of CLAMP illustrations were not included in the book version, chances that they are going to include them in the paperback version are very slim, if you ask me. That is a shame, since the illustrations were so nice. But who knows?

Source: Haken Anime! Facebook page.

CLAMP to design original “Goshuinchō” book

Sample page of a Goshuinchō book

Sample page of a Goshuinchō book

It’s been announced that a Goshuinchō book designed by CLAMP will be released in October.

From Wikipedia:

A shuin (朱印) is a seal stamp given to worshippers and visitors to Shinto shrines and Buddhist temples in Japan. The seal stamps are often collected in books called shuinchō (朱印帳) that are sold at shrines and temples.

More info: Shuin.

The first time CLAMP spoke about their desire of designing their own Goshuinchō book was during the 14th episode of their former radio show, CLAMP no Kyoto Agaru Sagaru.

Quoting Jougetsu:

Most temples sell their own (go-)shuin books for worshipers to buy. They are covered in cloth and are bound accordion style so that you can open the book and display the temple stamp & calligraphy on the family shrine/altar shelf. In recent years fashion designers and artists have designed their own (go-)shuin book covers and those can be found at various shops (bookstores/stationery stores/lifestyle goods shops).

Source: Saikoku33-1300 Years.

This looks interesting! I have a feeling this is going to be one gorgeous book with traditional Japanese-style design.

More info as they come!

CLAMP’s character design concepts for “Kabukibu!” revealed

©CLAMP・ShigatsuTsuitachi CO.,LTD. ©榎田ユウリ/KADOKAWA/カブキブ推進委員会

©CLAMP・ShigatsuTsuitachi CO.,LTD. ©榎田ユウリ/KADOKAWA/カブキブ推進委員会

The official website of the Kabukibu! TV Anime updated to reveal the original character design concepts made by CLAMP.

You can check them in this gallery. Make sure to do check it, because they are great!

Kabukibu! TV Anime will premiere on April 6 on TBS.

HiGH&LOW manga adaptation by CLAMP to begin serialization in Japanese Spring

news_header_highlow_clampThis week’s issue of Weekly Shonen Magazine (released today in Japan) will officially announce the manga adaptation of the HiGH&LOW franchise by CLAMP.

The manga will begin serialization in the Japanese Spring in Weekly Shonen Magazine (Kodansha).

Source: Comic Natalie, HiGH&LOW official website.

In case you missed, check this post for more background info about CLAMP’s new project, a manga adaptation of HiGH&LOW.

I didn’t think CLAMP would ever draw weekly again after Tsubasa and XXXHOLiC — this latter is being published in a monthly basis despite being running in a weekly magazine.

Am I excited about this? Yes I am. Am I happy to have weekly or semi-weekly CLAMP fix? Hell yeah!