Episode 24 of CLAMP’s podcast, CLAMP Kanbukai, is out! You can listen to it on YouTube and all major podcast platforms.

This episode’s theme is “Again in Miyako-jima”.

At the beginning of the episode, Mokona-sensei explained that the reason for her absence on the previous episode was due to some pollen reaction and not really because of a cold or flu.

Later, they revealed that this episode was being recorded from inside their Shigira Mirage resort hotel room in Miyako-jima. The last time they went there was in December of 2024, and at that time they didn’t get very lucky with the weather. This time around, however, the weather is way better.

The sky was so clear that they were able to do some stargazing. They talked a little about the constellations that they saw.

It seems like Satsuki-sensei drove them in little golf carts around the resort. They were part of a tour or part of the hotel. It seems it was the first time she drove a fully electric vehicle. She said that she drove a car while they were living in Tokyo but since they moved to Kyoto (2013) she decided she wouldn’t be driving anymore because she didn’t know how to get around in the city by car, and that’s about the time when electric cars started to become more popular.

Ohkawa-sensei mentioned that Nekoi-sensei has been taking a lot of pictures of water surfaces, pool tiles and flowers to use as “textures” for their works. Nekoi-sensei mentioned they are useful particularly for the background of the illustrations they do for the Vanguard cards. She mentioned that the pool tiles from the last time they were there have been used already and this time she wants to “process” the texture/color even more and use them (specially for their digitally colored illustrations, I believe). She really knows a lot about colors!

Next, they talked a little about beer and alcoholic beverages from Okinawa, particularly Orion.

After that, they changed subject a little and talked about the Roningai stage play they saw in Kyoto. Actor Miyu Irino (who voiced Syaoran in the Tsubasa Chronicle TV Anime) is part of the cast. They really enjoyed the play.

Next, they talked about an amusing incident concerning Satsuki-sensei. She almost lost her wallet (or belongings) but they were later found.

Lastly, they briefly mentioned the return of XXXHOLiC Rei. Nekoi-sensei talked about paying attention to the extent of Watanuki’s limbs while Mokona-sensei is paying attention to the girl that looks like Zashiski Warashi’s hair length. They said they are constantly checking the tankoubons that have been published to make sure they are not missing any detail. They talked about the font size for Young Magazine being smaller and less round than Nakayoshi. Ohkawa-sensei remarked that they are still adjusting their style and asked everyone to look forward to it.

Before wrapping up, they quickly talked about the Sapporo and Nagoya legs of CLAMP Exhibition -SELECTION- and how there will be new goods for them (“even though there were so many of them already!”).

Thank you for reading this post!

Although I am not positive about this, it felt to me like they went to Okinawa again to do some research (while also having a good time, of course). Could they be collecting data for their next project?

Episode ex04 of CLAMP’s podcast, CLAMP Kanbukai, is out! You can listen to it on YouTube and all major podcast platforms.

This episode’s theme is “Mokona (the person) talk”.

They started the episode talking about how this is the first episode that they do without all four of them present. It seems that Mokona-sensei was sick at the time of the recording, which is why she couldn’t join them. Each of them also made a brief update about their health status given that all four of them had some kind of cold since the beginning of this year.

Due to Mokona-sensei’s absence, this episode will be centered around her. Ohkawa-sensei advises that they might repeat things that they have said about her in past interviews, podcasts or spaces, so there might be some overlapping but she asks for everyone’s comprehension.

To kick things off, they talked about their first impressions of Mokona-sensei. Satsuki-sensei met her first, they were in the same school club (later they became school classmates). Nekoi-sensei met her later and Ohkawa-sensei met her last, on different occasions. Satsuki-sensei and Nekoi-sensei both thought she had very “sharp” eyes and was extremely polite. They all mentioned that she was really small — Ohkawa-sensei is 10cm taller than her and the other two are about the same height as Ohkawa-sensei. They compared the height difference to Kamui and Kotori’s (Kamui is 10cm taller than Kotori and Kamui has Ohkawa-sensei’s height). Eventually, Mokona-sensei and Nekoi-sensei attended the same university, but they were not classmates so they barely saw each other in campus apart from the doujinshi activities that they were already doing at that time.

In the past, they have talked about that each one of them is represented by a color (even though they are not idols, Ohkawa-sensei joked) and Mokona-sensei’s color is yellow. Despite that, they all said that she doesn’t wear a lot of yellow clothes.

Next, Ohkawa-sensei asked the other two if they had any fun or interesting stories about Mokona-sensei to share. Satsuki-sensei started by saying that she gets sick easily and it usually happens in her days off. Ohkawa-sensei said that she has lost counts of how many times she had to accompany her to the emergency room (!) They mentioned one time she hurt her finger when using the sewing machine (!) and Ohkawa-sensei mentioned one episode where she was involved in an accident while riding a taxi — but she was quickly to assure all listeners that it was nothing serious, everyone is safe and there is nothing to worry about.

Nekoi-sensei shared a funny story from the time they were in the USA for Anime Expo (2006) and Mokona-sensei accidentally forgot her room key inside her room and got locked out. She went to the front desk by herself but she couldn’t express herself properly in English so she tried to draw a picture explaining the problem! Unfortunately, the staff were not able to understand the drawing (and Ohkawa-sensei joked that being a mangaka did not help and that drawing is supposed to be a universal language but not this time!) Eventually someone who spoke Japanese managed to help her get inside her room again.

Ohkawa-sensei said that Mokona-sensei is very considerate whenever they are walking together, always making sure they are going to the right direction, checking Google Maps and stuff, but they said that even though she means well, she is usually wrong and has a bad sense of direction xD

Next, they talked about what Mokona-sensei is like at work. Ohkawa-sensei said that even thought she might not always show up at the studio on time, she is very serious about finishing her work and pushing herself further and further every time, exceeding her own outputs. It was also mentioned that when she finds something interesting, she shares it with the others on their LINE group early in the morning and she would talk about that same thing 8 hours later even though the subject has already changed many times throughout the day. It seems she often goes back to the topics that interest her regardless if they are still talking about it or not.

They also talked about Mokona-sensei’s sewing skills (they mentioned the doll dresses that were on display at the Sakura Exhibition and how those were handmade by Mokona-sensei). She is always working on something and her house looks more like an atelier than a house (particularly her bedroom). It is full of fabrics, threads, cloths, beads, accessories etc. She loves making clothes and stuffed characters of the things she likes. Ohkawa-sensei is very impressed about this. Mokona-sensei also collects stones, going to auctions to bid on stones whenever she can. It seems that she often looses her phone inside her place (and she resorts to Siri in order to find it!)

Lastly, each of them mentioned something that they would like Mokona-sensei to fix about herself. Satsuki-sensei went first and mentioned something about using less white for fixing things (I guess she means using less whiteout when fixing the manuscripts). Nekoi-sensei said she would like Mokona-sensei to stop forgetting her phone around — she finds it curious because Mokona-sensei is always grasping her phone around really tightly but, at the same time, leaving it on the table whenever they are at a cafe or restaurant. Ohkawa-sensei went last and mentioned that she would like Mokona-sensei to read LINE messages in a more timely fashion. It seems that Mokona-sensei has the tendency of not reading the most important messages (for instance, she might be chatting normally but then whenever she receives a message regarding a time change for a meeting or something else important, she goes away and doesn’t read the message). Ohkawa-sensei, who claims to be among the top 10 fastest responders out there, seems a tad annoyed by this xD

Before wrapping up, Ohkawa-sensei mentioned that they will do this again next time one of them is absent of the recordin, except when she herself is absent because since she is MC, the recording cannot happen without her. Satsuki-sensei added that they might as well just say everything about her to her face, or play the initial opening text and record the episode without Ohkawa-sensei xD

Thank you for reading this post!

This summary was particular challenging given that a lot of the topics I’m not familiar with. Apologies if it’s a bit lacking, I tried my best! 🙂

Episode 23 of CLAMP’s podcast, CLAMP Kanbukai, is out! You can listen to it on YouTube and all major podcast platforms.

This episode’s theme is “Let’s talk about our favorites”.

They started the episode explaining the difference between “favorite” and “recommendation”. There is a little nuance to them. “Recommendation” are things that they want people to know about, use, watch, wear etc, while “favorite” are things that they support/are fans of.

Firstly, all four of them started by saying they are a fan of the movie Twilight of the Warriors: Walled In. They had done an X space recently where they talked about this movie and they informed that they would like to spend a few more minutes talking about it (they really liked it). Sure enough, they spent some good minutes talking about the movie, their favorite characters and scenes.

Next, Mokona-sensei said that she is a fan of figure skater Yuzuru Hanyu, to whom they collaborated on the GIFT picture book. As we know, she was already a big fan of his before working with him so she couldn’t really believe that they would be working together. She says that while she was working on GIFT, it was difficult to behave like a fan since she was wearing her professional artist “hat” but now that the work is over, she is able to once again root for him like the big fan she is. His “Danny Boy” performance is her favorite as of recently.

Next, Satsuki-sensei said she is a fan of Shibata Kyouhei, a Japanese actor and singer who is known from his roles in police and detective TV Dramas. They mentioned that back when they had their old newspaper subscription system (CLAMP NEWS) they did a short gag comic where he appears.

Next, Nekoi-sensei mentioned she is a fan of musicians Yuji Ohno (Lupin and others) and Kenji Kawai (Patlabor and others). Kenji Kawai did the music for the RG Veda Drama Compilation CD and around the time he was working on it, Nekoi-sensei had a chance of bumping into him by chance and saying hello to him.

Lastly, Ohkawa-sensei said she is a fan of actress and voice actress Masako Ikeda, whom is famously known for voicing several characters, including being the Japanese voice of Audrey Hepburn. Ohkawa-sensei believes that she first heard her voice while she caught Roman Holiday airing on TV when she was a kid and thought she had a lovely voice. Satsuki-sensei reminds them they had the opportunity of working with Masako Ikeda in several times: she played Kamui’s mother on the X movie, the CLAMP Gakuen chairwoman on the CLAMP Gakuen Tanteidan TV Anime and Chunyan’s mother on the Shin Shunkaden Drama CD. They said that once the cast of X was announced, they were all very giddy in knowing that Masako Ikeda was among it. Ohkawa-sensei said she met her only once during the time of the recording sessions for the X movie. She said Masako Ikeda looked very petite and was about the same size as Mokona-sensei. Ohkawa-sensei still looks up to her and every time she hears her voice as a narrator on the TV she is able to recognize her voice immediately “ah, that’s Ikeda-san!” She finished saying she is a fan of Masako Ikeda.

On the last part of the episode, they talked about being fans of Lunlun, a virtual YouTuber affiliated to NIJISANJI. They said that all of them have Lunlun plush toys and will be sharing pictures later on the CLAMP Kanbukai official instagram account.

Thank you for reading this post!

This summary was particular challenging given that a lot of the topics I’m not familiar with. Apologies if it’s a bit lacking, I tried my best! 🙂

Episode 22 of CLAMP’s podcast, CLAMP Kanbukai, is out! You can listen to it on YouTube and all major podcast platforms.

This episode’s theme is “Various things we did and XXXHOLiC Rei“.

They started the episode explaining that the reason why this episode came out a little later than usual is because they all took turns in catching a cold. First it was Mokona-sensei (and she recommended a very interesting homemade medicine using a solution made of radish and honey), then it was Nekoi-sensei, Ohkawa-sensei and finally Satsuki-sensei. Ohkawa-sensei said catching a cold is a rare thing for her and that the last time was probably around 10 years ago (!!). They ended this segment wishing everyone to take care of themselves.

Next, they changed to the main topic: the XXXHOLiC Zoku Sai stage play. They were able to attend the opening day performance (January 24th) and they shared their impressions. They pointed out that the entire cast is back with the exception of Maru and Moro because the previous actors aged a little in the past two years so they had to be replaced. Ohkawa-sensei was surprised when she saw one of them in a Kamen Rider thing while she was browsing X and she pointed out that he looked older.

Nekoi-sensei was impressed that the cast came together and they were all able to perform despite the two years hiatus that the play took, that they were as involved and committed as they were two years ago. When asked which character left a strong impression, Nekoi-sensei answered Neko Musume, whom according to her looked “sharper”. They mentioned that her abs looked toned (it was possible to see because the actor was wearing clothes that showed his belly).

For Mokona-sensei, the character that left the biggest impression on her was Yuuko, played by Motohiro Ohta. She mentioned she also enjoyed Shougo Sakamoto as Watanuki, even though his Watanuki was more “composed” than the one in the manga and anime.

For Satsuki-sensei, the character that left the biggest impression on her was Haruka, played by Yuunosuke Matsushima (who also plays Doumeki).

They also mentioned Ryotaro Akazawa’s Himawari performance as one of the play’s highlights. In particular, the moment where she cries, the audience lifted their opera glasses to see her tears from up close.

Ohkawa-sensei mentioned that she would like to do a live commentary session with one of the play’s online streamings, but she said it might be tricky to coordinate all the technical aspects and having the four of them commenting. She hopes it will come to fruition and she asks us to participate if they manage to do it.

Next, while they were still in Tokyo to see the XXXHOLiC stage play, they also went to see another play called Spoon no Tate, a musical reading drama featuring several voice actors as cast members, such as Nakai Kazuya (Doumeki and Haruka in XXXHOLiC) and Kikoku Inoue (Yelan in Cardcaptor Sakura).

Before going back to Kyoto, they also went to see a Monet exhibition. They mentioned it was very crowed so they barely could see the bottom part of the paintings (specially Mokona-sensei, being the smallest of them). Nekoi-sensei mentioned that while she doesn’t dislike Monet, she’s not particularly interested in his work. On the other hand, Satsuki-sensei likes his work a lot.

Before moving to the next topic, Ohkawa-sensei mentioned she would like to visit Mika Ninagawa’s NINAGAWA Mika with EiM: Lights of the beyond, Shadows of this world exhibition at Kyoto City Kyocera Museum of Art.

Finally, they talked a little about resuming XXXHOLiC Rei. They are working hard on bringing back XXXHOLiC‘s art style. Mokona-sensei briefly told Ohkawa-sensei “I know you’re going to tell me Yuuko looks younger”, to which Ohkawa-sensei replied back “that means you’ll just have to keep drawing then” xD

Mokona-sensei mentioned that Yuuko’s gaze, joints and fingertips are very particular and she’s doing her best to bring them back (she mentioned that she keeps forgetting about making Yuuko’s arms look like “noodles” like they used to xD) Nekoi-sensei said she’s paying extra attention to Watanuki’s bangs and on his facial expressions, since now that he is the shop owner, he cannot keep doing the same facial expressions as when he was a student, so she’s trying to express the difference through the facial expressions.

Ohkawa-sensei said that final touches are done digitally now, but everything else is done manually, including the straight lines used to fill backgrounds, which are done by Satsuki-sensei, scanned and then placed digitally.

The colored title page has been already submitted to the Young Magazine editorial department. They asked everyone to look forward to seeing a new XXXHOLiC colored illustration after a long time.

They said that given that several years have passed, it’s likely that some art style changes will be noticeable, but they are trying their best to bring the original XXXHOLiC style back. They also mentioned they have to practice the “smoke” that appears in the manga.

All in all, although the hiatus started in the middle of volume 5, they assured everyone that by the time we read the compiled volume 5, the reading experience will be seamless, because they are picking from where the story left off, but they also hope readers will be able to follow the installments as they are published in Young Magazine.

Thank you for reading this post!

Special thanks to Claudio for helping me proof checking this translation! ♡

Episode 21 of CLAMP’s podcast, CLAMP Kanbukai, is out! You can listen to it on YouTube and all major podcast platforms.

This episode’s theme is “The End of the Year 2024”.

Fortunately, subtitles/closed captions are back again for this episode!

They started the episode bringing attention to the fact that Clear Card was finished in 2024. Ohkawa-sensei explains that technically they delivered the special chapter to the Nakayoshi editorial department in December 2023 but it was only published in March of 2024. The tankoubon also came out in April of 2024. They apologized again for the series of postponements regarding the ending that the series went through in its final run. They said sometimes they get “carried away” and they pointed out how the the last volumes of Tsubasa and RG Veda being thicker than the others is an example of that. Other authors do that too, they said.

Next, Ohkawa-sensei asks the other members to talk about one episode (in the story or during the making of it) that stuck in their mind. Nekoi-sensei goes first and she talks about Mirror card and its many variations (Clow, Sakura and “Clear” card), it was very challenging to her making sure that its design was according to the right version, in particular because the Sakura Card version and the “Clear Card” version were both important and appeared simultaneously in the story. She even mentioned a mistake that was only seen in the magazine chapter that was later fixed in the tankoubon version. The character that left her the biggest impression is Syaoran.

Next is Satsuki-sensei. The episode that stuck in her mind is also related to Mirror when she/it had to attend classes in Sakura’s place, in particular when she/it was in trouble for not doing the homework. She also mentioned that the parts inside Sakura’s World were very challenging due to the amount of (digital) screentones used in those scenes. The character that left her the biggest impression is Kaito.

Next is Mokona-sensei. The episode that stuck in her mind is when Syaoran shrunk in size (REWIND card). She said it was cute and it was the first time in a while Sakura said “hanyan~”. Ohkawa-sensei explains that she purposely made Sakura say “hanyan~” less often since she is now a little older. Mokona-sensei also remembers that it was in that episode where all the original cards appeared and she was worried if all the cards were drawn (she didn’t want to leave anyone out by accident). The character that left her the biggest impression is Kaito as well. She said she was really curious to find out more about him and why he acted the way he did. Ohkawa-sensei explains that as usual, she did not reveal to the other members all the details about the plot until the latter half of the story. She wanted Mokona-sensei to draw him in a way that would make him look like a villain, but at one point she realized that it was getting a little childish so she revealed a bit more. Ohkawa-sensei points out that just like Eriol, and because Kaito is also a magician, his external appearance does not necessarily correspond to his real age.

Last is Ohkawa-sensei. The character that left her the biggest impression is Momo. She knew from the beginning that there would a creature similar to Kero, Yue, Suppi and Ruby Moon, but she had a bit of hard time deciding whether her true form would have the shape of a human or of an animal. Mokona-sensei did a few sketches of a fully animal-like creature but she wasn’t really happy about it, so when Ohkawa-sensei asked her to draw a human figure, she thought “oh, that makes more sense”. Ohkawa-sensei only wanted the true form to have really long ears so that’s why she asked Nekoi-sensei to draw a mascot-like rabbit. The episode that stuck in her mind is when they are inside the picture book, near the very end. She mentions a particular spread where we can see Sakura flying in the Jabberwocky and the sky is black and white while at the bottom part there are crystals. She said that it was a milestone for them and they could say “wow, we are finally here”. She mentions that while it might not appear as such for the readers but for them it was a really long journey to get to that point.

Going back to their 2024 year in review, next they talked about the CLAMP Exhibition (of course!). Ohkawa-sensei asks the other members to tell their most memorable colored and monochrome manuscripts. She goes first, saying that when she saw the Watashi no Suki na Hito colored illustration, it was like she went back in time, to the point where she could feel the same atmosphere, the things she wrote and even the room she was in while writing it. She also remembers the precise memory of Nekoi-sensei drawing it (and she adds that she has a bad memory). She mentions that last month for the Beaver Full Moon they shared on their LINE channel a wallpaper inspired by the Watashi no Suki na Hito cover illustrations with baby beavers instead of cats (which used one as a model of their late cats, Kakyou). For the monochrome manuscript, she mentioned this Yuuko illustration where we can clearly see the black lines and how that reminded her that it was done by hand (by Satsuki-sensei).

Next is Satsuki-sensei. The colored illustrations that caused the biggest impact to her were the Tokyo Babylon ones, in particular the one used in the cover of volume 1 and the one where they are sitting on top of a car. For the monochrome one, it was also the Yuuko one mentioned before by Ohkawa-sensei.

Next is Nekoi-sensei. The colored illustrations that caused the biggest impact to her were the RG Veda ones. She mentioned something about “youth feeling” that they don’t have anymore and how she doesn’t really remember how they pulled out some of the things that she saw, like how they managed to obtain that particular effect or result. She said at that time she followed a lot of instructions written by Mokona-sensei at the back of the manuscripts. For the colored one, it was the huge, over one-meter height RG Veda illustration that they did for the OVA poster. Ohkawa-sensei explains that while it might seem strange now, for large-scale printing at that time, sometimes they were asked to draw something as big as possible.

Lastly is Mokona-sensei. The colored illustration that caused the biggest impact to her was the color spread for the first chapter of CLAMP Gakuen Tanteidan. She mentioned a seal-like stamp that Ohkawa-sensei asked her to add and she used color tone for that even though she didn’t really know why. Ohkawa-sensei explains that she wanted it to have a “pop ad” feeling to it and at that time they couldn’t really ask the editorial department to add something like that so they had to do it themselves (I kinda like this illustration even more now after learning this! And I remember seeing it at the CLAMP Exhibition and really noticing the color tone!). For the monochrome one, she also mentioned the RG Veda ones and how they were very dense (even more than the X ones, in her opinion). She also mentioned the same thing as Nekoi-sensei did, about that being the peak of their youth and they expressed all their passion of wanting to be seen and noticed. In particular, she mentioned this Souma and Kendappa scene (DISCLAIMER: SPOILERS for RG Veda on the link).

To close the episode, the four of them quickly mentioned a highlight for their personal lives in 2024. Among them, they were really happy that their long time friend and movie director Yamazaki Takeshi won an Academy Award.

Thank you for reading this post!

Episode 20 of CLAMP’s podcast, CLAMP Kanbukai, is out! You can listen to it on YouTube and all major podcast platforms.

This episode’s theme is “First time in Miyako-jima”.

For some reason, subtitles/closed captions are not available this time on the YouTube video. I don’t know if this was intentional or not, and I hope this doesn’t mean that future episodes also will not have subtitles. The lack of subtitles makes it harder to understand for non-Japanese speakers and it also goes against accessibility best practices. That being said, it was much more difficult to understand what they were talking about on this episode, due to the absence of the automatic subtitles.

They all traveled to Miyako-jima, in Okinawa, and this episode was recorded there (not at their usual studio). They begin the episode saying that they are using lavalier microphones (pin mics) for the first time, so the sound might be a little different than usual.

Last time they came to Okinawa it was at the beginning of this year right after the end of the Clear Card serialization. They attempted to record an episode on site with their smartphones but it didn’t turn out great. This time, they are recording on site with appropriate the gear.

It seems like just like last time, the weather was not so great…

They rode on segways (Segway PT) for the first time and they talked a little about it.

Ohkawa-sensei talked about how they barely took time off during the past 35 years of their career. They all remembered the very intense schedule they had been, particularly during the time when Tsubasa and XXXHOLiC were both being published weekly and they only had a few days off in a whole year. They would work from 10 am until 10 pm only to see each other again the next day at 10 am and repeat it all over again.

In fact, it’s funny because just yesterday I shared on my Bluesky account that in 2024 CLAMP have released just one manga chapter (the special Clear Card arc chapter, in March). It was probably a conscious decision they took this year, to take things more slowly after working almost non-stop for 35 years. It’s like Ohkawa-sensei is justifying themselves for going to Okinawa for some vacation. You all worked so hard, ladies, you deserve this ♡

Ohkawa-sensei mentions at one point that she wasn’t very into drinking alcohol at first. She used to like eating sweets more and going to family restaurants. In fact, Satsuki-sensei mentions that mascots like Kero and Piffle were originally created while they were doodling at a family restaurant.

At another point, they talked a little about all four of them living together. Some of the talk is very similar to what we heard before in the 2005 Top Runner interview (how Mokona-sensei used to sleep in the closet because she is the smallest of them, they even repeated the Doraemon reference here as well). They only started living apart once they moved to Shimokitazawa, in Tokyo, around their 15th anniversary.

For the remaining of the episode, they talked about things that they have done in the trip and useful travel companions/items.

Thank you for reading this post!

Episode 19 of CLAMP’s podcast, CLAMP Kanbukai, is out! You can listen to it on YouTube and all major podcast platforms.

This episode’s theme is “New BGM and songs from CLAMP works” (BGM means “background music”).

Episode 18 introduced a new opening and ending jingle by Chaba Nogika per CLAMP’s request. They mentioned that they would be taking about in more details about the creative process behind the new jingles on this Episode 19.

CLAMP gave Chaba Nogika some drawings and asked for the new jingles to be based on them. Nekoi-sensei made the doodles below, Satsuki-sensei helped a bit picking up the colors.

Ohkawa-sensei explains that in the past they have used animals to represent themselves, but it was usually a human form with some animal parts. This time around, the four members are represented entirely as animals. She asks Nekoi-sensei to explain how she created the doodles. Nekoi-sensei explains that Mokona-sensei is the cat because that’s how she sees Mokona-sensei, who asked “why me and not you?” (one of the kanjis used in Nekoi-sensei’s name means cat). Nekoi-sensei replies back “that’s only in the name!”

Ohkawa-sensei is represented by a rabbit, Satsuki-sensei by a chipmunk and Nekoi-sensei by a dog. Ohkawa-sensei asks Nekoi-sensei why she is a rabbit and Satsuki-sensei a chipmunk. She replies that it goes back to the first CLAMP IN WONDERLAND ending animation where Ohkawa-sensei had rabbit ears, but Satsuki-sensei was a monkey instead of a chipmunk. Satsuki-sensei mentions that the way she eats has been pointed out as similar to that of a chipmunk and they also mentioned the book that she released containing the Newtype columns, Shimarisu no Hoobukuro (“Chipmunk Cheeks”). It seems that before a chipmunk, Satsuki-sensei used to be represented by a monkey. It has a little to do with the similarities between the pronunciation of her name and the word “monkey” in Japanese (“saru”, which can sound like “sa-chan” if spoken fast enough). Moreover, Satsuki-sensei’s representation as a monkey and not as a chipmunk in the CLAMP IN WONDERLAND ending animation seems to be related to the fact that it’s not easy to recognize a chipmunk if not by its big tail and apparently that would take too much the attention from the viewers.

For Mokona-sensei being a cat, Nekoi-sensei said that’s how she sees Mokona-sensei whenever she draws her cute face: as a cat.

As for Nekoi-sensei being a dog, it’s because she likes dogs. Usually she draws the ears doing downwards (similar to Ioryogi’s). This time, however, the ears are drawn a little upwards and then flopping downwards a bit.

As to why Ohkawa-sensei is usually drawn as a rabbit, it seems that she really likes goods that have rabbit decoration on it (that much is true, plus, we know how she loves Alice in Wonderland).

Next, Ohkawa-sensei talks about how there used to be a color scheme for each member (used on their websites etc), although these days they are not too attached to that concept. Red for Ohkawa-sensei, green for Satsuki-sensei, blue for Nekoi-sensei and yellow for Mokona-sensei (or some color in the yellow range). If you go to the current ABOUT section of CLAMP-NET.COM, you will see these colors applied for each member. They all said that they like the colors that represent each of them (but Ohkawa-sensei said that yellow is her favorite color). Ohkawa-sensei mentions that she wanted to have each of their mic covers with these colors but they didn’t have green so Satsuki-sensei’s one is orange (Mokona-sensei’s one is yellow). They mention that the color code was used in the past to differentiate their belongings, specially when they lived together (things such as toothbrush).

Ohkawa-sensei revealed that they have plans to release goods with the new drawings and asked everyone to wait for them.

Next, they changed subject to talk about the songs related to CLAMP works.

Nekoi-sensei goes first and picks songs from 20 Mensou ni Onegai!!, Wish and Shin Shunkaden (which they say has an “enka” feeling to it). They talk a little about the 20 Mensou ones, how they all love Junko Hirotani’s voice and how it has a musical-like feeling to the songs. Ohkawa-sensei explains that she wrote the lyrics herself because at that time only the first volume had been released and that it could be difficult for someone else to represent the worldview for that work.

Satsuki-sensei likes the theme song from CLAMP Gakuen Housobu (a CLAMP radio show that was broadcast in the 1990s) and Ningyo Hime (Chobits TV Anime second Ending Theme song, which was also written by Ohkawa-sensei — I personally love this one too!).

Mokona-sensei likes Synchronicity (by Yuki Kajiura and sang by You Makino), from the Tsubasa Tokyo Revelations OADs, but she likes Yuki Kajiura’s works in general. She also mentioned Yuzurenai Negai (Magic Knight Reayearth TV Anime first opening) and Peony Pink (CLAMP Gakuen Tanteidan TV Anime Opening).

Ohkawa-sensei likes the Cardfight!! Vanguard OverDress opening theme song (ZEAL of proud, by Roselia) and all the Suga Shikao songs that have been used for XXXHOLiC. They all agree that Suga Shikao is very fitting for XXXHOLiC, even the songs that were not originally meant to be used for XXXHOLiC.

Maaya Sakamoto and the theme songs from the two Cardcaptor Sakura movies were also mentioned, as well as the songs from the Duklyon image album (Satsuki-sensei’s pick). They all agreed that there are a lot of songs and it’s difficult to choose from, but they are extremely grateful to all of them.

Lastly, they talked about CLAMP anime songs that they like to sing in karaoke, and even other, non-CLAMP songs in general. Ohkawa-sensei and Nekoi-sensei both sing the XXXHOLiC Kei TV Anime ending Honey Honey — Ohkawa-sensei does the female voice while Nekoi-sensei sings the male voice!

Thank you for reading this post!

Episode 17 of CLAMP’s podcast, CLAMP Kanbukai, is out! You can listen to it on YouTube and all major podcast platforms.

This episode’s theme is “Mascot Characters”.

• Introduction: They started the episode reading a message that was sent from an X user who asked the CLAMP members about what clothes they like to wear when attending parties. They used the recent CLAMP Exhibition launch party as an example (there was one after the pre-opening day). Satsuki-sensei and Mokona-sensei were both wearing yukatas. They mentioned that they both really like kimonos and they usually get the same items around the same time. Nekoi-sensei was wearing all black top, trousers and shoes but they weren’t new, she’s had them for about 20 years now. Ohkawa-sensei was wearing a dress from MURRAL. She said she ordered it online and it arrived it just in time for the party, but she also mentions she almost forgot to bring the dress with her on their trip to Tokyo.
• The first mascot they talked about was the CLAMP Gakuen Tanteidan blowfish (in Japanese, fugu). It’s a mascot that first debuted in their early doujinshis, along with the “toast penguin” that appears in some Tokyo Babylon doujinshi stories. The “toast penguin” (it has a square shape, like a toast) didn’t appear in their professional manga so they talked about the blowfish instead. Ohkawa-sensei took inspiration from a Kansai restaurant called Zobu-ya. They also mentioned the crab, which is Mokona-sensei’s creation (also based off the Kansai area) and the pink pig that sometimes appear with Ashura — they even mentioned the recent LINE wallpaper with Ashura that included a piggy plush. They said that at that time mascots were not proper characters and that they would be mostly used in illustrations as a decorative element.
• For Rayearth‘s Mokona, I didn’t understand a lot of it, but the design was done by Nekoi-sensei (as we know), as well as Mokona=Modoki that appear in XXXHOLiC and Tsubasa. She mentioned she made the conscious decision to make the designs different (the ears of Mokona=Modoki are longer and the body is more egg-shaped than the Mokona from Rayearth). If I understood well, Nekoi-sensei doesn’t really remember how she came up with the original design but the fact that it looks like a rabbit has to do with the fact that Ohkawa-sensei told her that Mokona would jump up and down a lot, like a rabbit.
• Wish‘s Usyagi was also created by Nekoi-sensei, but it originally appeared before Wish. It came from a doodle drawn by both Nekoi-sensei and Satsuki-sensei. Satsuki-sensei drew the flower and they wondered why it was flying around carrying a flower and Satsuki-sensei suggested the flower might have a message in it. And that’s how Usyagi came to be.
• For Kero and Suppi from Cardcaptor Sakura, the designs were inspired by the cats that CLAMP used to have years ago, Kakyou (Kero) and Kogane (Suppi). They also appear in Satsuki-sensei’s illustration book, Kakyou’s Earth Conquest Diary, which collected short stories originally published in CLAMP-NET.COM. (This is brand new information to me! I did not know Kero and Suppi’s designs were based off Kakyou and Kogane and that makes total sense!). Mokona-sensei mentioned that she realized the other day that Kero’s true form is of a lioness and not of a lion (since it doesn’t have a mane), but Ohkawa-sensei was quick to add that since it’s a magical creature created by Clow Reed, it doesn’t have to necessarily be like a real animal. Same goes with Suppi’s true form which Mokona-sensei said that its neck is too long. Ohkawa-sensei was like “that’s totally fine!”
• For ANGELIC LAYER‘s Piffle Princess, it was designed by Satsuki-sensei but it seems like the idea came from a doodle that Ohkawa-sensei did (not sure). She told Satsuki-sensei she wanted it to be the toy manufacturer for ANGELIC LAYER. The name was Ohkawa-sensei’s idea. She couldn’t remember where she got “piffle” from but “princess” was because of Takara Tommy (toy manufacturer in Japan). She explained why but I couldn’t really understand.
• Chobits‘ Atashi was created by Nekoi-sensei. She was trying to make it look like Chii (the long ears resemble Chii’s split hair). But they also think it looks a little like a rabbit and it seems like at one point it had a tail but it was dropped in the final design. They talked about using different shades of pink to distinguish Atashi from “the other Atashi”.
• Kobato.’s Ioryogi was also created by Nekoi-sensei. She originally drew it as doodle, including a seal/sticker that was used in her travel bag. It did not have a name back then (it was just “blue dog” at that time). The name Ioryogi came only later by the time Kobato. started.
• Momo from Cardcaptor Sakura Clear Card was also Nekoi-sensei’s creation, but for that one she received very specific instructions from Ohkawa-sensei (she wanted a rabbit). It seems like Momo’s true form was a last minute decision. They didn’t from upfront if it would be humanoid or more like a beast (like Kero and Suppi).
• Next, when talking about original mascots, they mentioned Sweet Valerian! Those were designed by Mokona-sensei. Then, there was some slight confusion because for Mokona-sensei, she sees Kobato.‘s Ginsei as a mascot and Ohkawa-sensei says she doesn’t see him like that at all in her mind. She gives her reasoning, which basically has to do with how they turned into animal versus stuffed toys. Much like the Baumkuchen’s bear, she doesn’t see Ginsei as a mascot. Apparently Mokona-sensei understood after the explanation. Interesting! It’s hard to put into words and maybe I am not doing a good job but I can see where Ohkawa-sensei is coming from!
• I had a really hard time understanding the following segment, I apologize. But they will upload a picture later on the CLAMP Kanbukai instagram account and I think it will be easier to understand. It seems like they drew a lot of their mascots for a custom pattern but I could be wrong. Update: It was for a custom fan that was given to the party guests. See update at the end of this post.
• Lastly, they talked about the new batch of goods for the second half of the exhibition. Mokona-sensei and Satsuki-sensei really liked the paper knifes. They explained that the Shinken was made for the BABEL event so this time they have different swords. Ohkawa-sensei really liked the cookie can box (me too!) with the Ashura&Sakura illustration embossed on it.

I did not expect a post about mascots to be this long! haha

It’s really amazing how their work really is a joint effort. Not only because specific mascots were made by individual members, but sometimes the same mascot was created in collaboration with more than one of them. Also very impressive how sometimes new mascots were created just for fun on a creativity spur.

Thank you for reading this post!

Before going, I have been unable to access the X platform since it was banned in Brazil (which is where I live). I am not able to post anything or interact with its users and I don’t know for how long this will last. In light of such circumstances, I have created a BlueSky account and I will be updating from now on there. You are of course more than welcome to follow me there. Needless to say that I am already missing interacting with the fandom on a daily basis!

Hello CLAMPers!Thank you for following me! Thank you for your trust 🙇🏼‍♂️I was surprised to find out CLAMP created an account 6 months ago (@clamp-official.bsky.social) even though they are still not active here.I will do my best to share CLAMP news here as well 🫡

— Chibi Yuuto (@chibiyuuto.bsky.social) 2024-08-31T23:48:50.984Z

Just for how long this will last? I honestly don’t know. I will re-evaluate my staying on X depending on when and if access is re-established in Brazil. Until then, I appreciate your support in not only following me on my other social media accounts but also leaving comments on my posts (remember comments? Nobody leaves comment anymore! ;_;).

Follow me at:

• Bluesky
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I would also highly appreciate sharing my posts whenever you see fit.

Thank you very much for your continuous support!

Update: Picture of the custom fan designed by CLAMP that was given to the party attendees. It was manufactured by Ohnishi Tsune Shoten.